Sunday, May 21, 2006

"Da Vinci Code" breaks Italian box office records


The movie adaptation of Dan Brown's bestseller earned 2 million euros ($2.6 million) on its opening night, nearly double the takings of Italy's previous top film, Oscar-winner Roberto Benigni's "Life is Beautiful".

"The Da Vinci Code" has broken box office records in Roman Catholic Italy as tens of thousands of Italians ignored Vatican calls to boycott the film. The movie adaptation of Dan Brown's bestseller earned 2 million euros ($2.6 million) on its opening night, nearly double the takings of Italy's previous top film, Oscar-winner Roberto Benigni's 1997 tragi-comic Holocaust drama "Life is Beautiful".

Italian news agencies reported record queues around the country to see the film of the novel that ignited Vatican ire by saying Jesus had a child with Mary Magdalene and the Catholic Church hushed this up.

Millions worldwide are expected to flock to see the film on its opening weekend, shrugging off protests by Christian groups and tepid reviews at its Cannes film festival premier this week.

Many Christians across the world believe the theories in "The Da Vinci Code" are blasphemous, and the Vatican has led an offensive against the book and the film, calling for a boycott.

Members of ultra-Catholic group, Christian Militants, picketed some cinemas in central Rome, close to the Vatican, chanting "Dan Brown remember you will also be judged by Christ". Many Italians are fans, however, buying tens of thousands of the more than 40 million copies of the books sold worldwide.

Italy's tourist industry has also leapt on the Dan Brown boom. Special tours are running in Rome and to the church in Milan containing Leonardo da Vinci's "The Last Supper", a painting central to "The Da Vinci Code" plot.

Florence, where the Renaissance master lived, is holding a series of exhibitions throughout the European summer focused on cracking the code of Da Vinci's paintings and designs.

Lets-Travel-Rome.com

1 Comments:

At 1:24 PM, Anonymous Anonymous said...

Hi Les, here's a hot potato, take a bite and pass it on to the hungry...

Here is the key to understanding what the Vatican/Papacy fears...

Yes, the DaVinci Code novel is better than the movie. Both are no more accurate as a literal version of history than is the New Testament. In other words, none of them is the literal truth, which is a key fact of the story and ancient history. The primary sub-plot is about purposeful symbology being used to encode hidden meanings, exactly like the Bible and related texts. Arguing about whether the DaVinci Code, Gospel of Judas, or the Bible are accurate history is a Machiavellian red herring designed to hide the truth by misdirecting your inquiry away from the heart of the matter.

There is a foolproof way to verify the truth and expose religious deceptions. It is the common thread connecting the ancient Hebrews, Yahad/Essene, Jews, Gnostics, Cathars, Templars, Dead Sea Scrolls, DaVinci Code, and others who have all been targets of Rome’s evil machinations. What the Vatican and its secret society cohorts don’t want you to understand is that the ancient Hebrew symbology in all of these texts purposely encodes and exposes the truth about them. Furthermore, the structure of ancient symbology verifiably encodes the rules to decode messages built with it. This is what they most fear you will discover.

It is undeniable the New Testament is framed by ancient Hebrew symbolism and allegory. The same is evidenced in the Dead Sea Scrolls, Gnostic texts, biblical apocrypha, DaVinci Code, and other related texts. All ancient religious, mystical, and wisdom texts have been shrouded in mystery for millennia for one primary reason: The ability to understand their widely evidenced symbology was lost in antiquity. How do we finally solve these ages-old mysteries? To recast an often-used political adage: It’s [the] symbology, stupid!

It is amazing the Vatican still tries to insist the Gospels are literal truth. It is beyond obvious they are replete with ancient Hebrew symbology. Every miracle purported for Jesus has multiple direct symbolic parallels in other symbolic narratives and traditions. This is the secret held by the ancient Gnostics, Templars, and Cathars, which is presented with dramatic effect in the DaVinci Code. None of these narratives or stories were ever intended as the literal truth.

Likewise, the following Washington Post article (The Book of Bart) describes the many embellishments made to the New Testament over the centuries, demonstrating it is not original, infallible, or truthful.

What then is the purpose of "faith" but to keep good people from seeking to understand truth and wisdom? It's no wonder the Vatican fears the truth more than anything else. Now comes justice, hot on its heels... (symbolism...)

Revelations from the Apocalypse

 

Post a Comment

<< Home